What many don't know is that the built in interface can input/output analog or optical digital audio from the small connectors provided. Plugin an analog connector and the mac will send/ receive analog audio, plugin an optical connector and the mac knows and will input/ output optical digital audio signals. It switches automatically. The Peavey USB Audio Interface is a desktop USB audio interface, which comes in handy if you’re looking for an audio interface that doesn’t take up much space and doesn’t require the use of a mounting rack.
Antelope Discrete 8 If your commercial facility is looking for an upgrade, or if you're willing to invest big bucks into your home studio, this is a model to consider. A nifty feature that may be useful to an engineer overseeing multiple levels during a live show or recording session is that each musician can adjust their own headphone volumes on their phones by using an app. antelopeaudio.com
Mectric Halo ULN8 Considered amongst some to be the holy grail of USB interfaces, both for use in the studio or on the road, the Metric Halo ULN8 features boutique-quality mic preamps, standalone capability, comprehensive precision metering with hi-res 15-step meters, world-class converters, and much more. Further, it's lightweight, rugged, and only takes up one rack space. Metric Halo is a company known to never discontinue their products; rather, they continue tweaking and updating them. Knowing your expensive interface won't go obsolete as technology advances is not just important, but essential when you spend this much on a unit. mhsecure.com
So you’re looking to solidify your home recording studio with the best audio interface? To us, this is one of the most important parts of making music and we consider it to be the star on top of the Christmas tree. Without an audio interface, you simply can’t record optimally. Your gear is essentially missing half of its power and capabilities without one of these in your studio. The best audio interfaces help us with sound quality, phantom power and amplification, more overall control of our gear, organization of all of our inputsoutputs into one device, and lastly make the pesky concept of latency disappear. Today we highlight our top 10 audio interface picks available in the market and give you some info to help ease your shopping adventures.
An audio interface is a device which connects your various audio equipment to your computer (microphones, MIDI keyboards, studio monitor speakers, etc). Some have even called them “external sound cards” since the components built into computers can’t make the cut (for good reason — they’re typically too expensive or aren’t big enough). In terms of capabilities (and it really depends on which model you go with), they can provide phantom power to amplify your microphones, hook up any instrument or controller you’ve got via MIDI inout, and use XLR ports for microphones. Audio interfaces convert the analog information into digital signals for your production computer or music laptop to recognize and lay down into your songs.
Ultimately, it helps get you that studio-quality sound that helps separate you from the newbies. Relying on consumer-grade sound cards in your PC or Mac isn’t ideal as it often gives us interference and delays in sounds — and to their credit, merely can’t fit powerful interfaces inside their computers. Audio interfaces are the standard sound card for any type of studio. Once I hooked up my audio interface to my setup, the headache immediately went away because I was not only more organized (rid a lot of cable clutter) but was able to record in a quicker, versatile and realistic manner. When producing music, my workload decreased, my songs sounded better and my overall creativity shot through the roof since my process was more efficient. Lastly and most importantly, the quality of my recording tracks increased dramatically – microphones were more clear, guitars crisp, and the overall sound I heard was better for mixing and mastering later on in my DAW.
When it comes to the best audio interface, it really depends on a few factors. We’d love to give you a straight answer, but it is too dependent on a lot of elements you must take into consideration when shopping for the device. It depends on what you need.
For some more info, check out the choosing your audio interface article by Sound On Sound magazine.
The following is our list of top 10 best audio interfaces for both Mac and PC. Do some sifting through as we provide the retail price for your budget, the compatibility in terms of connectivity, how many inputs and outputs, as well as overall features for comparing. We tried to cover all ranges, all connectivity as well as I/O options. Let us know which one you ended up going with/already have!
Compatible with: Mac, PC, all hardware
This is in our opinion one of the best audio interfaces out there by a mile. This interface by Focusrite is best for home and semi-pro studios (I have two friends who make music full-time that use this). The Scarlet 2i2 gives us a great quality microphone pre-amp, a very rugged build for stability as well as portability, and quite a few selections for ins and outs. The ‘2i2’ name basically means that it has two inputs and two outputs, as well as two pre-amps built-in (their other models you’ll see have similar names which relate to the connectivity options). Highly talked about this is the amp quality, compared to mechanisms found in a lot of condenser and ribbon mics and more expensive interfaces. It’s ultimately just a simple interface for a great cost — one of the most popular choices out there if you read the user reviews.
Another huge plus with this one is that it comes with Ableton Live Lite, a very popular digital audio workstation among music heads. This is especially perfect if you’re looking for some software to start recording with or merely want to make the change over to one of the most popular pieces of software today — Ableton coming along with the package makes this a must. USB powered here, although it doesn’t have any MID ins or outs which bums me out but there are ways around that. The Focusrite Scarlett 2i2 is the best audio interface we’ve recommended to our readers numerous times for a reason — just make sure that it will cover your future needs in terms of connectivity if you plan on expanding later.
You can also check out the Focusrite Saffire Pro interface which is a step up (has some MIDI insouts and FireWire connectivity) but costs a bit more. There’s also a ton of other Scarlett models that pertain to ins and outs as stated previously — for only a few more bucks check out their Scarlett Studio Audio Bundle (comes with a mic, headphones, and the interface and it made first in our recording studio bundles guide).
Compatible with: Mac only
Up next, we have a mac only interface and this thing is extremely powerful. It’s a 2 x 6 thunderbolt connection and the audio conversion is quite telling at 24-bit/192 kHz for some of the clearest, zero-latency sound possible right now. It’s got real-time UAD processing so the tracking with compressors, EQ’s, and amps for various instruments is the real deal. It’s only compatible with Mac but it’s one of the best out there — Universal Audio brings us quality builds that’ll last you a very long time, so this is an investment.
Here’s a cool video on the Apollo Twin interface. You’ll need a thunderbolt cable for this, but it’s worth it if you’re going the full 9 — you won’t be let down by the Universal Audio Apollo Twin if you have the cash. It’s one of the best, pretty famous and will be for quite some time.
Compatible with: Mac and PC
Mackie equipment is more tailored to DJ’s, but this audio interface is very solid for the price, giving us two high-quality Onyx mic pre-amps that are very powerful. Gives us some distortion protection due to its high-headroom design. Great zero-latency recording but what stands out to us is the amp gain control: great for electric guitars and dynamic microphones. You can crank each line in (1 and 2) up to 60 dB, turn up the phantom power to max on the monitor or phones, as well as have even more controls on the front.
Standard ins and outs with two XLR and TSR. A step up from a lot of audio interfaces due to its high-quality amps. One of the best audio interfaces in the lower price-point in our opinion. We recommend the Mackie Onyx Blackjack for those who need powerful amplification at an affordable price.
Compatible with: Mac and PC
Here’s another one of the best audio interfaces for the money. This is a very solid model in terms of build and overall supply of necessary ins and outs, as M-Audio gear usually brings to the table. It’s USB powered and offers great phantom power for microphones and guitars, has insert jacks on each channel, and lastly comes with Avid Pro Tools Express and Ignite creation software by AIR. If you’re looking for a good software combo this is great, otherwise it’s still a solid audio interface as it offers us the essentials: 2 XLR, 2 TSR and MIDI ins/outs…what else do you need?
Unless you’re using and recording multiple instruments at a time, anything else is rather unnecessary. The M-Audio M-Track Plus is a solid audio interface for those looking for only a few ins and outs and some clear audio quality on top of it all. It’s pretty affordable and rivals the Scarlett model we previously recommended in terms of price.
Also check out our review of their M-Audio M-Track QUAD audio interface for a step up if you have a few more bucks to spare.
Compatible with: PC and Mac
Another 2 x 2 to check out here, and this one is a more simple and budget-friendly audio interface than many others. PreSonus gear has a very positive reputation around the equipment world and the AudioBox is a favorite interface among many. You get two very high quality pre-amps built-in, a nice small steel build, as well as two MIDI int/outs on the front. The back has your TSR ins, a USB port for power and connectivity as well as a left and right stereo inputs. Lastly, a headphone jack (on the back) although I usually like these on the front, but oh well. As it’s more budget-friendly, it isn’t recommended for those with instruments that need more than around 35 decibel of gain or headphones above 100 in impedance. Keep this in mind as the power is great for a lower price-point audio interface but it isn’t jam-packed either.
This is great for those on a budget and need the standard capabilities of an interface, and even though it doesn’t have any fancy digital conversion (like the Apollo Twin), you’re getting what you pay for. The PreSonus AudioBox is considered to be another one of the best audio interface picks if you wanted a simple solution and also need some software alongside your setup (it comes with their Studio One digital audio workstation which isn’t necessarily a heavy-hitter in the software community, but can get the job done if you need something simple and don’t have a DAW yet).
Check out our reviews on their latest models, the AudioBox iOne and AudioBox iTwo if you’re looking for some different alternatives.
Compatible with: Mac only (and iPad)
Apogee electronics brings us one of the best audio interfaces for Mac. It’s rather simplistic in terms of connectivity, but the reason it’s at such a high cost is because of the amp. It goes up to 63 dB which is pretty high for its size. Another plus is the 48 volt phantom power but it also has a built-in condenser microphone if you think you’ll be using it for that. You can merely mount it and use it as a mic while having an audio interface at hand at the same time. It doesn’t have any MIDI ins or outs or even XLR ports but it does give us a 1/8″ for headphones. What most people do is use a converter cable which can be plugged in to an external microphone, MIDI keyboard or controller, etc.
Check this one out as it gives us a bit of a different spin to audio interfaces. Don’t let the small size of the Apogee ONE make you assume it isn’t powerful — it’ll up the quality of your music like no other (if you’re on Mac, that is).
Although it’s two times the price, also check out the Apogee Duet audio interface for some power if you’ve got the dough. We review their new Avid Pro Tools Duet by Apogee as well, which is a new interface out that’s been paired up by both companies for a new spin on the interface.
Compatible with: Mainly built for Mac, but can with Windows 10
If you want Pro Tools and one of the biggest industry standards out there, we recommend going with this. Avid‘s bundle is a bit more expensive than the budget-friendly audio interfaces we’ve listed thus far but it’s very worth your money if you’re interested in investing in a DAW software that many call it the best — the golden Pro Tools (Express is not the full version, keep in mind). The Mbox is a very solid interface not just because it is Pro Tools’ sidekick — it comes with 4 x 4 channels of ins and outs (two XLR mic/line combos, two 1/4″ inputs and outputs, as well as a headphone out and MIDI ins/outs).
You have phantom power of the standard 48 volts for your condenser microphone, has a nice soft-clip limiter and if you play the guitar, it’s got a built-in tuner with some on-board effects. A nice package if you’re looking for a big punch. The Avid Mbox is great for semi-pro and even some professional studios.
Compatible with: Mac and PC
Sleek and stable. This interface by Lexicon Pro has a lot of positive reviews and for good reason. At a super low retail price, it’s got one XLR mic, two TRS and one Hi-Z input. The only thing we’re missing here is the lack of phantom power as well as MIDI in and out, but if you don’t need these the price of this is a steal, especially for the audio quality for under $100. What’s highlighted with this is the low latency giving you no delays with recording, pretty much the benchmark of an interface so if that wasn’t possible we wouldn’t even list it here. This is basically a solid audio interface for recording instruments that don’t need phantom power as well as hooking up some studio monitors to your rig.
The Lexicon Alpha is perfect if you’re OK with switching cables to different equipment when recording, such as between a guitar and a keyboard. There is also some pretty decent software included as well with Cubase LE 4 and their Lexicon Pantheon VST reverb plug-in.
Compatible with: Windows and Mac
We’re huge fans of Native Instruments equipment and software, and this is a competitor to the Avid bundle we’ve listed previously. They were a top pick in our best VST plug-in guide for a reason. The Komplete Audio package here is very powerful, not only due to the solid build that will help with longevity but because of the software that it comes with — Cubase LE 6 (a solid DAW), Traktor LE 2 and Komplete Elements, giving you over 1k VST’s and effects. As far as connectivity goes, you’ve got some decent plugs — 2 balanced XLR’s, 2 balanced 1/4″ TRS, four balanced outputs, a MIDI in/out, and it’s USB powered for hassle-free hook ups with a dedicated volume knob up to for convenience.
This is an all around great package to look at if you’ve got the dough, especially if you’re looking to add some instruments and effects to your arsenal as well. The sound quality is very clear and reliable in terms of latency reduction. The Native Instruments Komplete Audio 6 is little cheaper than Avid’s bundle but you get Cubase instead of Pro Tools.
Compatible with: Mac and PC
Behringer audio equipment gives us the definition of a budget audio interface here. This is straight to the point and it’s powered via USB with no external power supply needed, great for portability. The resolution goes up to 48 kHz so in terms of conversion it is solid for the price. There’s just no XLR or TRS inputs here, so connecting a microphone might get tough — standard RCA ins (which can be converted with proper cables) while giving us a headphone jack and volume control. It also comes with a bundle of free software worth checking out.
I’d recommend grabbing this you’re on the go and need a simple digital converter, otherwise continue reading on. The Behringer UCA202 is a great model for those who want only the essentials at a very affordable price. We’d consider it the best cheap and budget-friendly audio interface in the market today.