Best cheap drawing tablets: our favorites for 2017-2018. Starving artist seeking the best cheap drawing tablets? Look no farther. Going digital without breaking the bank is. Premium appliance brands and expert service available inside select Best Buy stores. Camera Experience Shop Shop a wider selection, talk to a camera expert and try before you buy at select Best Buy stores. Ugee Drawing Pen Tablet – (M708) 8 ExpressKeys. The other competitor for best drawing tablet in our opinion is the Ugee brand of tablets. The Ugee Drawing Pen Tablet. Is a great value and very easy to use and install on Mac or PC. It has a large drawing/writing area, a 10 x 6 active area, and is great for doing artwork or editing photos.
The most exciting thing about the iPad Pro is not the tablet itself, it’s the stylus.
However, the iPad Pro isn’t a typical mobile device — it’s something all together different. So what makes the iPad Pro special? It’s simple: This is a tablet for artists and creators. Apple can talk up how productive it is and try to sell it as a touchable MacBook, but really, this is the first tablet artists will flock toward.
I want it, and I have spoken with a number of artists who are already sold. The big screen gives artists a lot more freedom to create amazing art without running out of room, and the 2,732 x 2,048 pixel resolution (264 pixels per inch) means that when you’re drawing or editing a photo, it renders in crystal clear detail.
Apple’s devices are already home to most drawing apps — and many artists, illustrators, designers, or architects who use a tablet at all, own an iPad. In fact, Apple’s hold on the creative community is so strong that many drawing apps like Forge, Paper, and Astro Pad come to iOS first, or exclusively. I’ve asked the creators of these apps why they snub Android, and I always get the same answer: “Our users are on iOS.” The iPad Pro will only cement Apple’s informal relationship with those who “think different.”
The most exciting thing about the iPad Pro is not the tablet itself, it’s the stylus. From what we learned in the keynote, the Apple Pencil is billed as the most amazing stylus ever made. I’ve used excellent styli from Adonit, FiftyThree, Wacom, Microsoft, and others, but Apple’s Pencil looks spectacular. DT’s Jeffrey Van Camp used the Apple Pencil during the Apple event, and he said it’s among the best styli he’s ever used. It felt natural and there wasn’t any lag.
The Pencil contains multiple pressure sensors to measure a range of forces, so you should be able to draw any kind of line. If the images created by the artists in Apple’s demo video are any indication, it will produce everything from fine lines and thick brush strokes, to watercolor paint’s motion on paper. You can even use it with FiftyThree’s Paper app, which is among my favorite drawing apps because of its deceptive simplicity.
Additionally, two tilt sensors built into the tip of the Pencil can detect the exact angle of your hand. That way, you can tilt it on its side to mimic a thick piece of charcoal or a pencil’s side face and create a broader stroke. FiftyThree’s Pencil (which ironically has the exact same name as Apple’s stylus) already does this, but it does struggle with finer lines, which is something Apple’s Pencil seems to have down to a science. No other fine-point stylus can do side shading with accuracy. This matters, because you need to shade to create shadows and different textures.
Apple also claims that lag with the Pencil is virtually nonexistent, because the display’s subsystem scans for its signal 240 times per second, which is double the amount of times the iPad scans for your finger. In other words, when you draw a line, it happens immediately — you won’t notice that you’re using a digital pen.
When Apple controls hardware, software, and accessories, magic can happen.
Although Adonit and others have managed to limit lag, it is still occasionally noticeable. If Apple manages to kill lag completely and convince me that I’m drawing with a normal pencil, that would be a game changer.Pencil’s other main benefit is that it was made specifically for the iPad Pro — the company that designed both the software and hardware experience. Call it evil, closed-minded, or whatever, but when Apple controls hardware, software, and accessories, magic can happen.
Apple specifically designed the touchscreen of the iPad Pro to detect its Pencil stylus and distinguish between the digital implement and your finger, even when both touch the screen at the same time. Most styli get confused when you use your fingers, but Pencil should be able to tell the difference. Theoretically, you could draw a fine line with Pencil and smudge it with your finger, just like you would with a real pencil on paper.
Finally, Pencil will last you 12 hours before it needs a charge, which is pretty impressive. If you’re really in the creative flow, 15 seconds in a lighting port will charge it up for 30 more minutes. You can’t beat that.
Pair this amazing stylus with the iPad Pro’s huge screen, and you’ve got an iPad that could kill off Wacom tablets.
I’ve used my first-generation iPad Mini to sketch out ideas for drawings and other art, and I’ve created some cool art in the process. Normally, the iPad Mini is the perfect size, but as soon as you start drawing, it’s too damn small. Ask any artist what size they like to work in, and most will tell you the bigger the better. Even 8 x 10 sketchbooks can feel limiting sometimes. The iPad Pro’s 12.9-inch screen is the ideal size for artists, and I can’t wait to draw on it.
So, the next time someone says, “Yeah, well. Steve Jobs said the stylus was stupid and a signal of failure,” you can tell them that he was right. We wouldn’t want to use a stylus from 2010. But this is 2015, and Apple has invented a stylus with purpose and accuracy an old Windows Mobile phone would have killed to have.
The views expressed here are solely those of the author and do not reflect the beliefs of Digital Trends.
I draw a lot and I am using up a lot of paper. I would like to start drawing on something more virtual as I make a lot of mistakes. I also want to start drawing on some kind of tablet, as when I am older I would like to be an animator. Should I buy a drawing/graphics tablet or a normal tablet but use it for drawing only?Niamh (aged 12)
Drawing on a graphics tablet and drawing on a tablet screen, are both very different from drawing on paper, so it’s a good idea to try before you buy. It seems to me – and I admit I’m rubbish at drawing – that it requires a lot of effort and many hours of practice to produce reasonable results. The digital products that come closest to matching the experience of drawing on paper tend to be somewhat expensive.
Getting hands-on experience could be difficult. If you’re lucky, your school may have some products you can try. Could you engineer a visit to a local art college? Do any family friends have graphics tablets? Could you try some in shops?
Lots of people own digital graphics products even if they have no interest in digital drawing. Examples include Samsung Galaxy Note tablets and phablets with S-Pen styluses, Microsoft Surface Pro tablets and Apple iPad Pros. Ordinary touch-screen tablets are not suitable for drawing, even if you can write on their screens.
If all else fails, the Wacom Intuos Draw graphics tablet is a simple, reliable and affordable answer. This plugs into a PC’s USB port and gets you going for around £50. The package includes an entry-level drawing tablet, a pressure-sensitive stylus, the ArtRage Lite program for Microsoft Windows or Mac, and some online tutorials.
Graphics tablets go back a long way: they were used in the 1970s for high-end CAD (computer-aided design) workstations, and entered the home computing market in the 1980s with the cheap KoalaPad, which was available for the Apple II, Commodore 64 and Atari 800.
The graphics tablet essentially replaced a mouse. However, the hand-held stylus enabled users to have much finer control.
As when using a mouse, your eyes are on the screen, not on the stylus and the graphics tablet. It’s certainly possible to do very detailed work this way, but it’s not quite the same as using a pencil and paper.
The next step was to combine the digitiser with the screen. The first popular example was the GRiDPad, which was launched in 1989. The GRiDPad was a thick tablet running Microsoft’s MS-DOS operating system, and it had a monochrome screen with a resolution of 640 x 400 pixels. It wasn’t much use for drawing, but it had industrial and military uses as a sort of electronic clipboard.
Digitising tablets finally hit the mainstream in 2002 with Tablet PCs running Microsoft Windows XP Tablet PC Edition. These came with Ink Art, a licensed copy of ArtRage, and they could also do handwriting recognition synced to sound recordings – a popular feature with journalists. However, the screens were “laggy” and not very responsive, and XP Tablets were expensive and heavy, so they never caught on.
Wacom, a Japanese company, came to dominate the market for graphics tablets. Its patented technology was used in the screen of the Compaq Concerto laptop released in 1992. Wacom expanded its range to include graphics tablets with LCD screens, so that users could draw directly onto the display surface. Being designed for graphics professionals, they were pressure-sensitive. They were also expensive.
Wacom’s screen-based Companion tablets now work as standalone tablet PCs running Microsoft Windows 8.1, though you can still use them plugged into a Windows PC or Mac. The dedicated buttons and Wacom software make them specialised devices.
When Microsoft launched the Surface Pro range of tablets in 2013, it included a pen and a Wacom digitiser for screen input. The performance and prices made them very attractive to artists, but less appealing to people who didn’t want pen input.
With the Surface Pro 3, Microsoft switched to using active (battery-powered) pens and N-Trig DuoSense digitising technology with 256 levels of pressure sensitivity. I’d guess that Surface Pro sales had reached the sort of volume where Microsoft wanted a cheaper solution, and it avoided future licence payments by buying N-Trig.
There has been a lot of debate about how N-Trig’s 256 levels of pressure sensitivity compare with Wacom’s 1024-levels in the Surface Pro 2. I’m no artist and I couldn’t tell the difference. However, I did find the Surface Pro 3 pen nicer to use.
The most recent candidate is Apple’s iPad Pro, for which you can buy a powered stylus. This works extremely well. It’s at least the equivalent of Wacom’s Cintiq Companion and Microsoft’s Surface Pro 3 and 4 in being smooth and responsive, and probably better.
However, the Cintiq Companion and Surface Pro tablets have the advantage of being full-spec computers with standard USB and monitor ports. You can use them to run professional drawing and animation programs, the full Adobe Creative Suite of software, Microsoft Office and so on. There’s no hurry, in your case, but if you’re going to do this professionally, it’s important to be proficient with professional software.
More is usually better, but also costs more. The things to look for include the size of the active drawing area, the resolution and the pressure sensitivity.
From this point of view, the Wacom Intuos graphics tablets are the best value, because you are not paying for a built-in LCD screen, processor, memory and other electronics. Of course, this does assume that you can plug your Intuos tablet into an existing desktop or laptop PC.
The Intuos Draw has a small active area of 152 x 95mm, 1024 levels of pen-pressure sensitivity and a resolution of 2540 lines per inch (lpi) for £49. Wacom also offers an Intuos Pro range, which comes in small, medium and large sizes. The medium has an active area of 224 x 140mm, 2048 pressure levels, and a resolution of 5080lpi, while the Large has an active area of 325 x 203mm. Wex Photographic’s prices are £165, £239 and £335 respectively. (You can shop around.)
The cheapest 13.3in Wacom Cintiq 13HD Interactive Pen Display costs £580 or more, and still needs to be plugged into a PC or Mac. The cheapest standalone Cintiq Companion 2 running Windows 8.1 on an Intel Core i5 processor costs £1,269 or more. But these are overkill for your purposes, even if you can afford them.
If you really want to draw on a tablet screen, the cheapest options are probably the 10.1in Samsung Galaxy Note and the 9.7in Apple iPad Pro (£499 plus £79 for the Pencil). An alternative would be a second-hand or refurbished Microsoft Surface Pro 2. You can find them for around £235 to £300, depending on specification and condition. However, if they go wrong, they may be expensive to repair.
Have you got another question for Jack? Email it to Ask.Jack@theguardian.com
This article contains affiliate links, which means we may earn a small commission if a reader clicks through and makes a purchase. All our journalism is independent and is in no way influenced by any advertiser or commercial initiative. By clicking on an affiliate link, you accept that third-party cookies will be set. More information.